Dischord Records

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Dischord Records
DIS logo m.png
Founded 1980
Founder Ian MacKaye
Jeff Nelson
Genre Punk rock
Hardcore punk
Post-hardcore
Indie rock
Alternative rock
Country of origin United States
Location Washington, DC
Official website www.dischord.com

Dischord Records is a Washington, D.C.-based independent record label specializing in the independent punk music of the D.C.-area music scene. The label is co-owned by Ian MacKaye and Jeff Nelson, who founded Dischord in 1980 to release Minor Disturbance by The Teen Idles.[1][2] Along with other independent American labels such as Twin/Tone, Touch and Go Records, and SST Records, Dischord helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie-rock scene.[3] These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging.[4]

The label is most notable for employing the do-it-yourself ethic, producing all of its albums by itself and selling them at discount prices without finance from major distributors.[5] Dischord continues to release records by bands from Washington D.C., and to document and support the Washington D.C. music scene.[6]

Dischord was a local label in the early days of hardcore, and is one of the more famous independent labels, along with the likes of Alternative Tentacles, Epitaph Records, SST Records, and Touch & Go Records.[5]

The logo of the label was designed by Jeff Nelson, who has an associate's degree in advertising design.[7]

Roster

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Bands such as Minor Threat,[8] Government Issue,[9] The Faith,[10] Void,[11] Iron Cross,[9] Embrace,[12] Rites of Spring,[12] Nation of Ulysses,[12] Scream,[13] Soulside, S.O.A., the Teen Idles, Gray Matter, Jawbox,[12] Marginal Man,[12] Shudder to Think,[12] Dag Nasty,[12] Lungfish and Fugazi[5] have released records on Dischord.

Additions to the Dischord roster as of the late 1990s and 2000s include Q and Not U,[5] Beauty Pill, Antelope, French Toast, Faraquet, Black Eyes, The Aquarium, Title Tracks, Edie Sedgwick, Slant 6, and Andalusians. Many of these acts, notably Q and Not U and Black Eyes, are both influential and experimental post-hardcore bands.

Notes

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References and bibliography

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External links