Casavant Frères

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Casavant Frères
Private
Industry Pipe organ manufacturing
Founded 1879 (1879) in Saint-Hyacinthe, Quebec
Founders Joseph-Claver and Samuel-Marie Casavant
Headquarters Saint-Hyacinthe, Quebec, Canada
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Areas served
Worldwide
Website www.casavant.ca


File:StFrancisXavierYonCasavant.jpg
1919 photo of Pietro Yon at console of Casavant Frères organ

Casavant Frères is a prominent Canadian company in Saint-Hyacinthe, Quebec, which has been building pipe organs since 1879. As of 2014, they have produced over 3900 organs.

Company history

Brothers Joseph-Claver (1855–1933) and Samuel-Marie (1859–1929) got their start in organ-building in the shop of their father Joseph Casavant under his successor Eusèbe Brodeur. Claver worked with Brodeur during 1874–1878, then went to France for a 14-month apprenticeship with the firm of John Abbey in Versailles. He and Samuel then visited many organs and workshops in western Europe before establishing their factory on the site of their father's workshop on rue Girouard in Saint-Hyacinthe in 1879.[1]

Technical innovations

Their instruments boasted many innovations unique for that time, such as concave pedalboards, balanced expression pedals, keyboard improvements, and other enhancements. Their reputation as organ builders of international status was cemented in 1891 with their construction of the organ for the Notre-Dame de Montréal Basilica, a four-manual organ of eighty-two stops. This famous organ features adjustable combinations and speaking pipes of thirty-two foot length in the façade.

They won the Grand Prix at the International Exhibition held in Antwerp, Belgium in 1930.

They built organs around the world, including Canada, the United States, France, the West Indies, South and Central America, South Africa, and Japan. Their organs have been praised by many famous organists over the last 100 years, including Guilmant, Vierne, Widor, Bonnet, Lemare, Dethier, Courboin, Bingham, and many others who inaugurated and played Casavant organs.

Casavant organs are also found in leading colleges, universities and conservatories in the United States and Canada.

After the death of the Casavant brothers, the company continued to add innovations to their instruments. These include an extraordinarily reliable key contact and tracker touch mechanism, which is a hallmark of the Casavant playing action.

During the 1960s, Casavant pioneered new electronic technology to the capture system of combination actions.

In 1960, the company returned to mechanical action technology (while continuing to build electropneumatic action instruments as well) and has since built over two hundred tracker action instruments ranging in size from a single manual portable Continuo of four stops to two, three, and four manual organs.

New technology, such as solid-state coupling and switching systems, multiplex, multi-memory combination actions and MIDI have been adopted. Other improvements, such as more effective expressive enclosures, continue to be made. The sound and style of Casavant organs has varied throughout the company's history. The Casavant brothers themselves, Samuel and Claver Casavant, reflected mostly influences from contemporary France, but they traveled widely and visited many European instruments. They later brought in an Englishman, Stephen Stoot, under whose direction the tonal palette reflected additional influences from England. Later tonal directors, Lawrence Phelps and Gerhard Brunzema, contributed styles from the German "Organ Reform Movement." The most recent tonal directors, Jean-Louis Coignet and Jacquelin Rochette, are rooted in but not limited to the various French organ building traditions.

Some significant Casavant organs

File:Montreal StNomJesus tango7174.jpg
Saint-Nom-de-Jésus,
Montreal, Quebec
File:Lachine StsAnges4 tango7174.jpg
Saints-Anges Gardiens de Lachine,
Montreal, Quebec
The Casavant pipe organ at Notre-Dame Basilica.
  • Opus 2730, 1963, Wolfville, Nova Scotia, Acadia University, Canada, Manning Memorial Chapel, Specification: [23]
  • Opus 2793, 1964, Fall River, Massachusetts, St. Anne's Church, 3 manuals. 4 divisions. 58 stops. 57 registers. 84 ranks. 4518 pipes, Specification: [24]
  • Opus 2889, 1966, Traverse City, MI, First Congregational Church, Specification: [25]
  • Opus 2927, 1967, Saratoga Springs, NY, Bethesda Episcopal Church, Specification: [26]
  • Opus 2955, 1968, Fort Collins, CO, Colorado State University, Recital Hall, 2079 pipes, 34 stops
  • Opus 3079, 1970, Portland, OR, Chapel of Lewis & Clark College, 66-stops—probably the only organ in the world which was built entirely suspended from the ceiling. Specification and Description from Casavant: [27]
  • Opus 3101, 1971, Asheville, NC, Cathedral of All Souls in Biltmore Village, Specifications: [28]
  • Opus 3105, 1971, Iowa City, IA, University of Iowa, Iowa City, IA, USA, 53 stops, 74 ranks, Specification and description from Casavant: Specification - hall now abandoned since 2008 due to flood damage. Organ to be relocated to St. Andrew's Presbyterian Church, Iowa City, IA [29]
  • Opus 3145, 1972, Providence, Rhode Island, Cathedral of Saints Peter and Paul, 6,616 pipes, 125 ranks, 73 stops, largest mechanical action organ in North America, Specification: [30]
  • Opus 3254, 1975, Lansing, MI, Plymouth Congregation Church, 57 stops, 75 ranks, Specification: [31], Photo: [32]
  • Opus 3312, 1976, Guadalupe, Mexico, Basilica, 116 stops, 187 ranks, Specification and Description from Casavant: [33]
  • Opus 3414, 1979, Scranton, PA, St. Peter's Cathedral, Photos and specification: [34]
  • Opus 3434, 1982, Melbourne, Australia, Hamer Hall (formerly Melbourne Concert Hall), Victoria Arts Centre, 60 stops, tracker action, Specification: [35]
  • Opus 3700, 1993, Independence, MO, Temple complex of the Community of Christ, a four-manual organ of 60 stops, 5,685 pipes, Specification and Description from Casavant: [36]
  • Opus 3743, 1995, Lamoni, IA, Graceland University, 24 ranks, Specification: [37]
  • Opus 3750, 1995/1996 Fort Worth, TX, Broadway Baptist Church, 191 ranks, 129 stops, History and Description: [38], Dedication Program: [39]
  • Opus 3796, 2001, Wheaton, IL Wheaton College, Edman Chapel, Specification: [40], Specification and description from Casavant: [41]
  • Opus 3828, 2003, Dallas, TX, First United Methodist Church, History and Description: [42]
  • Opus 3837, 2005, New York, NY, Brick Presbyterian Church (New York City) [43], New York, NY, Specification: [44]
  • Opus 3839, 2004, Conover, NC, St. John's Lutheran Church, Specification: [45]
  • Miramichi, New Brunswick, Canada, St. James & St. John's United Church
  • Opus 3899, 2012, Washington, DC, Rubenstein Family Organ, John F. Kennedy Center Concert Hall, Specification: [46]
  • Opus 3900, 2014, Montréal, QC, Canada. Grand Orgue Pierre Béique at Maison Symphonique de Montréal. [47]

Recordings

There have been many recordings performed on Casavant Frères organs. Many recent recordings are listed on the firm's website.

Celebrated Canadian pianist Glenn Gould recorded his 1962 album The Art of the Fugue by Bach (Columbia Records) on a 1960 Casavant Frères organ in All Saints' Kingsway Anglican Church in Toronto - available with other Art of Fugue recordings on Sony 87759. Destroyed by fire in 1966. A new Casavant organ, opus 3874 (2009) is now in the building.

External links

References

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  2. University of Alberta War Memorial Pipe Organ, Convocation Hall