Cockfighter
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| Directed by | Monte Hellman |
| Produced by | Roger Corman |
| Screenplay by | Charles Willeford |
| Based on | Cockfighter by Charles Willeford |
| Starring | <templatestyles src="Plainlist/styles.css"/> |
| Music by | Michael Franks |
| Cinematography | Néstor Almendros |
| Edited by | Lewis Teague |
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Production
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| Distributed by | New World Pictures |
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Release dates
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Running time
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83 minutes |
| Country | United States |
| Language | English |
| Budget | $400,000[1] |
Cockfighter (also known as Born to Kill, Gamblin' Man and Wild Drifter) is a 1974 drama film by director Monte Hellman, starring Warren Oates, Harry Dean Stanton and featuring Laurie Bird and Ed Begley Jr. The screenplay is based on the 1962 novel of the same title by Charles Willeford.[1]
Plot
The plot begins in medias res with a mute Frank Mansfield (Warren Oates) locked inside a trailer preparing his best cock for an upcoming fight. He slices the chicken's beak slightly so that it looks cracked in order to obtain higher betting odds in the upcoming fight. He bets his trailer, his girlfriend, and the remainder of his money with fellow cocker Jack (Harry Dean Stanton). Mansfield loses the fight (ironically because of the cracked beak), almost all of his belongings, and is set on a rambling path to win the Cockfighter of the Year award.
Frank visits his home town, his family farm, and his long-time fiancée Mary Elizabeth (Patricia Pearcy). Mary Elizabeth has long grown tired of Mansfield's cockfighter ways and asks him to settle down with her. Frank decides in favor of cockfighting, leaves Mary Elizabeth, sells the family farm for money to reinvest in chickens, and starts a partnership with Omar Baradinsky (Richard B. Shull). The partnership takes them all the way to the cockfighting championships.
Screenplay
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Willeford adapted the novel to the screen himself and made several major plot changes among many smaller changes in detail. The author indicated that Cockfighter is based loosely on the structure of the Odyssey,[2] so it is most significant that the author removed the entire subplot with the beautiful widow Berenice, perhaps the Calypso character. Removing this character also excluded the protagonist's short-lived music career from the plot, although the movie does show Mansfield plucking a guitar at one point. Two other significant characters in the novel are also missing from the movie: Doc Riordan (a pharmacist/inventor who supplies Mansfield with conditioning medicines for his chickens) and the judge who sells the Mansfield farm. The final scene of the movie also presents a dramatic shift from the end of the book: Mansfield claims that Mary Elizabeth loves him as she walks off, whereas in the book he realizes that the relationship is over and he is free.
There are many subtle details changed in the movie, most of which are insignificant to the plot. For example, it is emphasized in the book that Icky is a rare blue chicken, whereas in the movie he is a white chicken called "White Lightning". The Mansfield farm is in Ocala, Florida in the book, in Decatur, Georgia in the movie. Possibly for some comic relief in the movie, Baradinsky goes back to the motel tournament, rather than driving on to a separate tournament as in the novel. He hides his cash under the dead chickens in the bathtub and does not lose money like everyone else in the holdup. By the time of the Milledgeville, Georgia tournament, Middleton's wife had died in the book, but in the movie Middleton (played by Willeford himself) refers to his wife as living. And finally, in the movie, Mansfield does not "regain" his voice until after Mary Elizabeth leaves.
Reception
The film struggled to find an audience and Roger Corman said that it was the only movie that he backed in the 1970s that lost money. He had it re-cut and re-released under the title Born to Kill, but it still did not succeed.[3]
References
Bibliography
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External links
- Lua error in Module:WikidataCheck at line 28: attempt to index field 'wikibase' (a nil value). Cockfighter at IMDb
- Two articles by Jonathan Rosenbaum and Toshi Fujiwara about COCKFIGHTER on La furia umana in the dossier dedicated to Monte Hellman [1]
