De La Soul Is Dead
De La Soul Is Dead | ||||
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Studio album by De La Soul | ||||
Released | May 14, 1991 | |||
Recorded | 1990-1991 at Calliope Productions, New York | |||
Genre | Golden age hip hop, alternative hip hop | |||
Length | 73:30 | |||
Label | Tommy Boy/Warner Bros. Records 01029 |
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Producer | Prince Paul, De La Soul | |||
De La Soul chronology | ||||
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Singles from De La Soul Is Dead | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | [1] |
Chicago Tribune | [2] |
Christgau's Consumer Guide | [3] |
Entertainment Weekly | C+[4] |
Los Angeles Times | [5] |
Q | [6] |
Rolling Stone | [7] |
The Rolling Stone Album Guide | [8] |
The Source | 5/5[9] |
De La Soul Is Dead is De La Soul's second full-length album, which was released in 1991 (see 1991 in music). The album was produced by Prince Paul, whose work on 3 Feet High and Rising was highly praised by music critics. The album was one of the first to receive a five-mike rating in the Hip hop magazine The Source.[9] The album was also selected as one of The Source's 100 Best Rap Albums in 1998.[10] The album's cover refers to the death of the "D.A.I.S.Y." (Da Inner Sound, Y'all) age, or a distancing from several cultures including hippies and the mainstream hip-hop.[1] It is considered among many as one of the best albums of the 1990s. Rolling Stone ranked the album at #87 on their list, and Pitchfork Media ranked it at #63.
Contents
Overview
De La Soul's first album, 3 Feet High and Rising, is widely regarded in the hip-hop community as a classic, leaving this, the follow-up, something of a poisoned chalice. The album's title is in reaction to the group being labeled hippies following its debut release. The album cover, a broken pot of daisies, signals the end of the DA.I.S.Y. Age. In an attempt to shake this label off, De La Soul's second album is significantly edgier than its first release. Despite the fact that it clearly did not want to be labeled as hippies, the group also did not want to be labeled hardcore. The album's 13th track, "Afro Connections at a Hi-5 (In the Eyes of the Hoodlum)," is an ironic attack directed at the emerging gangsta movement of the early 1990s.
The album features a series of separate, ongoing skits. The intro to the album features Jeff, a teenaged character who was not played by Chi Ali as often thought, who was introduced in the B-sides to "Eye Know" and "Me Myself and I": "Brain Washed Follower," "The Mack Daddy on the Left," and the rare "Double Huey Skit" (all are featured on the Limited Edition Bonus CD of the 2001 3 Feet High and Rising remaster). In a parody of old children's book-and-record read-along sets, Jeff finds a cassette tape copy of a De La Soul album in the garbage. Bullies appear, beat up Jeff, and steal the tape. Ensuing skits feature these bullies harshly criticizing the songs on the album. Mista Lawnge of Black Sheep provides the voice of the lead antagonist, while P.A. Pasemaster Mase voices the other bully who gets ridiculed and abused by Lawnge for his admiration of the album. Throughout the skits, the sound of the signal that lets the reader know that it's time to turn the page is heard. In the end, they throw the tape back in the trash, exclaiming, "De La Soul is dead." The album also introduces a fictional radio station called WRMS that plays nothing but De La Soul music.
The lyrics are again heavily praised for their intelligence and seamless infusion with almost endless references to pop culture. The album's strength further stems from the production of Prince Paul.
The song "Pass the Plugs" features the lyrics "Arsenio dissed us but the crowd kept clapping." This refers to the group performing on The Arsenio Hall Show, where Arsenio Hall introduced them as "the hippies of hip-hop." The group then performed "Me Myself and I," which explicitly states that they are not hippies. The credits for the show also began to run over the performance before the group was finished, contributing to the perceived lack of respect.
In 2008 the album was re released on vinyl. This version did not contain the CD bonus tracks.
Track listing
All tracks written by P. Huston, K. Mercer, D. Jolicoeur, V. Mason; additional writers credited below.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Intro" | C. Johns, L. Farrow | 2:14 |
2. | "Oodles of O's" | T. Waits | 3:31 |
3. | "Talkin' Bout Hey Love" | S. Gainsbourg, S. Wonder, C. Paul, M. Broadmax | 2:27 |
4. | "Pease Porridge" | A. Goodhart, A. Hoffman, H. Magidson, B. Birthright | 5:02 |
5. | "Skit 1" | 0:25 | |
6. | "Johnny's Dead AKA Vincent Mason (live from the BK Lounge)" | 1:57 | |
7. | "A Roller Skating Jam Named "Saturdays"" (featuring Q-Tip and Vinia Mojica) | R. Matthews, J. Davis | 4:03 |
8. | "WRMS' Dedication to the Bitty" | J. Sample | 0:46 |
9. | "Bitties in the BK Lounge" | K. Nix, R. Isley, R. Isley, O.K. Isley | 5:40 |
10. | "Skit 2" | 0:31 | |
11. | "My Brother's a Basehead" (featuring Squirrell and Preacher) (CD bonus track) | C. Ballard Jr., R. Krieger | 4:20 |
12. | "Let, Let Me In" | B. McCracken, L. Fulson, B. Birthright | 3:25 |
13. | "Afro Connections at a Hi 5 (In the Eyes of the Hoodlum)" (CD bonus track) | 4:02 | |
14. | "Rap de Rap Show" | 2:19 | |
15. | "Millie Pulled a Pistol on Santa" | G. Clinton, G. Cook | 4:10 |
16. | "Who Do U Worship?" (CD bonus track) | 1:59 | |
17. | "Skit 3" | 0:31 | |
18. | "Kicked Out the House" (CD bonus track) | 1:56 | |
19. | "Pass the Plugs" | E. Wright, W. Smith, J. Perry | 3:30 |
20. | "Not Over till the Fat Lady Plays the Demo" (CD bonus track) | S. Gainsbourg, J.C. Vannier | 1:29 |
21. | "Ring Ring Ring (Ha Ha Hey)" | G. Skinner | 5:06 |
22. | "WRMS: Cat's in Control" | J. Sample | 0:34 |
23. | "Skit 4" | 0:12 | |
24. | "Shwingalokate" | K. McCord, G. Clinton, B. Nelson | 4:14 |
25. | "Fanatic of the B Word" | M. Jones, D. Kinsey, A. Titus | 4:09 |
26. | "Keepin' the Faith" | B. Marley, R. Temperton, M. Adams, S. Arrington, M. Hicks, T. Lockett, R. Turner, D. Webster, S. Young | 4:45 |
27. | "Skit 5" | 0:32 |
Samples
The following is a list of songs and sound footage sampled in the songs on De La Soul Is Dead.
"Intro"
- "Five Star Final" by Arthur Korb
- "A Question of Honor" by Arthur Korb
- "D.A.I.S.Y. Age" by De La Soul
"Oodles of Os"
- "Jenifa Taught Me (Derwin's Revenge)" by De La Soul
- "Diamonds on My Windshield" by Tom Waits
- "The Show" by Doug E. Fresh and the Get Fresh Crew
- "Stretchin'" by Art Blakey and The Jazz Messengers
- "Funky Drummer" by James Brown
- "Hihache" by Lafayette Afro Rock Band
- "Walking to War" by War
- "The Gas Face" by 3rd Bass
- "Nobody Beats the Biz" by Biz Markie
- "Yo! Bum Rush the Show" by Public Enemy
"Talkin' Bout Hey, Love"
- "Les Oubliettes" by Serge Gainsbourg
- "Hey, Love" by Stevie Wonder
- "Mr. Blue Sky" by Electric Light Orchestra
- "La Di Da Di" by Doug E. Fresh and the Get Fresh Crew
- "The Easiest Way to Fall" by Freda Payne
"Pease Porridge Hot"
- "Make It Funky" by James Brown
- "God Made Me Funky" by The Headhunters
- "Black-Eyed Susan Brown" by Brother Bones
- "Pease Porridge Hot" and "Finger Fun" by Harrell & Sharron Lucky
"A Roller Skating Jam Named "Saturdays""
- "I Got My Mind Made Up (You Can Get It Girl)" by Instant Funk
- "Ebony Jam" by Tower of Power
- "Good Times" by Chic
- "Evil Vibrations" by The Mighty Ryeders
- "Saturday in the Park" by Chicago
- "Grease" by Frankie Valli
- "Light My Fire" by Young-Holt Unlimited
"WRMS's Dedication to the Bitty"
- "The Breakdown (Pt. 2)" by Rufus Thomas
- "In All My Wildest Dreams" by Joe Sample
"Bitties in the BK Lounge"
- "It's Your Thing" by Lou Donaldson
- "No Frills" by Taana Gardner
- "La Di Da Di" by Slick Rick and Doug E. Fresh
- "Money (Dollar Bill Y'all)" by Jimmy Spicer
"My Brother's a Basehead"
- "Stick 'Em" by The Fat Boys
- "Game of Love" by Wayne Fontana & the Mindbenders
- "Touch Me" by The Doors
- "La Di Da Di" by Slick Rick and Doug E. Fresh
- "Gangsta Gangsta" by N.W.A
"Let, Let Me In"
- The Three Little Pigs book and record set, released by Houghton-Mifflin.
- "Twine Time" by Alvin Cash and the Crawlers
- "Tramp" by Lowell Fulsom
- "At My Front Door" by The El Dorados
- "I'll Be Doggone" by Instant Funk
- Kojak book and record set, released by Peter Pan Records.
"Afro Connections at a Hi 5 (In the Eyes of a Hoodlum)"
- "And That's Saying a Lot" by Chuck Jackson
- "For Goodness Sakes, Look at Those Cakes" by James Brown
- "Bust That Groove" by Stetsasonic
"Millie Pulled a Pistol on Santa"
- "Synthetic Substitution" by Melvin Bliss
- "I'll Stay" and "Mommy, What's a Funkadelic?" by Funkadelic
- "On the Run" by Jungle Brothers
"Kicked Out the House"
- "La Di Da Di" by Slick Rick and Doug E. Fresh
"Pass the Plugs"
- "It's a Shame (Mt. Airy Groove)" by Grandmaster Flash and the Furious Five
- "Oops, Here I Go Again" by Edna Wright
- "Pass the Peas" by The J.B.'s
- "Description" by De La Soul
"Not Over Till the Fat Lady Plays the Demo"
- "En Melody" by Serge Gainsbourg
- "Ring Ring Ring (Ha Ha Hey)" by De La Soul
- "Mr. Cab Driver" by Lenny Kravitz
- "La Di Da Di" by Slick Rick and Doug E. Fresh
- "Please Listen to My Demo" by EPMD
"Ring Ring Ring (Ha Ha Hey)"
- "Name and Number" by Curiosity Killed the Cat
- "Pass the Peas" by The J.B.'s
- "Help is on the Way" by The Whatnauts
- "Impeach the President" by the Honey Drippers
- "Act Like You Know" by Fat Larry's Band
"WRMS: Cat's in Control"
- "In All My Wildest Dreams" by Joe Sample
"Shwingalokate"
- "Mr. Groove" by One Way
- "Flash Light" by Parliament
- "Bust That Groove" by Stetsasonic
- "Placebo Syndrome" by Parliament
"Fanatic of the B-Word"
- "Freedom" by Grandmaster Flash & the Furious Five
- "Get Out of My Life, Woman" by Lee Dorsey (drums)
- "That's No Lie" by White Lightning (band) (bassline)
"Keepin' the Faith"
- "Just a Touch of Love" by Slave (bassline)
- "Sign of the Times" by Bob James (keyboard intro)
- "Could You Be Loved" by Bob Marley and the Wailers (guitar riff)
- "The Champ" by The Mohawks (vocals: "Champ!")
- "Walk This Way" by Aerosmith (drums)
- "Johnny the Fox Meets Jimmy the Weed" by Thin Lizzy (vocals: "Johnny the fox!")
- "Beats To The Rhyme" by Run D.M.C.
- "Nice and Easy" by Susan Cadogan
References
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