Jane Ash Poitras
Jane Ash Poitras (born 1951) is a Canadian painter and printmaker of Cree descent. Her work uses the idioms of contemporary art to express the experience of aboriginal people in Canada.[1]
Contents
Work
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...each blank canvas is an invitation to a journey of discovery. I may begin with an idea of what the final destination—the completed painting—may be, but I’m always open to the unexpected. As Carl Beam said, the art of placement is a spiritual act. Each step in the creative process may reveal unexpected choices that require decisions. The final decision for each piece is to know when it is resolved, when it is finished.
— Jane Ash Poitras, Jane Ash Poitras: Acclaimed Aboriginal Artist Receives Distinguished Artist Award, First Nation Drum[2]
Poitras uses a vocabulary of layered images, readymades and text to explore the historical and personal experience of an aboriginal person in Canadian society. This approach to creating images was developed out of Dada by the American Abstract Expressionists and their associates; Mark Rothko, Kurt Schwitters, Robert Rauschenberg, and Cy Twombly. Poitras was exposed to this work during her studies at Columbia University.[1]
Poitras extends the meaning of her paintings by applying objects holding symbolic significance to the surface of the compositions. A Sacred Prayer for a Sacred Island, 1991 includes an eagle feather and a five dollar bill.[3] An eagle feather is considered sacred by North American Aboriginal People; the five-dollar bill represents the treaty annuity paid by the Canadian government to aboriginal individuals.[4]
The paintings Poitras creates can be very large. One of the pieces acquired by the Royal Ontario Museum in 2010 is a triptych 25 feet long by 9 feet high. Potato Peeling 101 to Ethnobotany 101 (2004), portrays a narrative of the experience of preserving aboriginal cultural knowledge through the years of forced assimilation.[5]
Poitras maintains an active exhibition schedule, having participated in over 30 solo exhibitions and 60 group exhibitions before 2006.[6] She is a long-standing sessional instructor with the University of Alberta and travels as a guest lecturer across North America.[7]
Selected Collections
- National Gallery of Canada[1]
- Royal Ontario Museum[8]
- Canadian Museum of Civilization[9]
- Brooklyn Museum[10]
- Canada Council Art Bank[11]
- Leonard and Bina Ellen Art Gallery, Concordia University [12]
- McMichael Canadian Art Collection[12][13]
- Royal Alberta Museum[12]
- Art Gallery of Ontario[12]
- Edmonton Art Gallery, now known as the Art Gallery of Alberta[12]
- Art Gallery of Nova Scotia[12]
- Vancouver Art Gallery[12]
- Winnipeg Art Gallery[12][14]
- Glenbow-Alberta Institute, Glenbow Museum[12]
- The Robert McLaughlin Gallery[12]
- MacKenzie Art Gallery[12]
- Agnes Etherington Art Centre[12]
Selected Honours
- Royal Canadian Academy of Arts[15]
- Alberta Centennial Medal[16]
- National Aboriginal Achievement Award for Arts and Culture, 2006[17]
- University of Alberta Alumni Award of Excellence[7]
- Lieutenant Governor of Alberta Distinguished Artist Award[2][18]
Life
Jane Ash Poitras was born in Fort Chipewyan Alberta in 1951. Her mother died of tuberculosis when Poitras was six and she was adopted by an elderly German woman. She grew up in Edmonton, Alberta in a Catholic household.[19] Before turning to a career in the arts, she obtained a B.Sc. in microbiology at the University of Alberta. She later obtained a Bachelor of Fine Arts degree in printmaking from the University of Alberta and a Master's from Columbia University.
Bibliography
- MacKay, G. (1994, Fall). Lady oracle: Jane ash poitras and the first nations phenomenon. Canadian Art, 11, 74-81.
- McCallum, Pamela. Cultural Memories and Imagined Futures: The Art of Jane Ash Poitras. Calgary: University of Calgary Press, 2011. Print.
- Poitras, Jane A, and Rick Rivet. Osopikahikiwak. Paris: Services culturels de l'Ambassade du Canada, 1999. Print.
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External links
References
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