Nathaniel Westlake

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Nathaniel Hubert John Westlake (N H J Westlake) FSA (1833–1921) was a 19th-century British artist specializing in stained glass.[1]

Career

Westlake began to design for the firm of Lavers & Barraud, Ecclesiastical Designers, in 1858, and became a partner ten years later, making the firm Lavers, Barraud and Westlake, of which he became sole proprietor in 1880.[2] The firm was then known as Lavers & Westlake.

A leading designer of the Gothic Revival movement, his works include The Vision of Beatrice (1864), commissioned for an exhibition of stained glass held at the South Kensington Museum (renamed the Victoria and Albert Museum in 1899).[3]

In 1896, Lavers & Westlake were commissioned to reglaze two central lights in the great hall windows at Mary Datchelor Girl's School, Camberwell. The subjects were 'Lady Jane Grey discourses with Roger Ascham' and 'By Industry and Perseverance', symbolising the importance of female endeavour in higher education. Other windows included 'On the way to Chapel', 'Physical Exercise', 'The Kindergarten' and 'The Classroom'. The windows were removed from the school in 2010 after it was converted into a series of apartments.[4]

Westlake published under the name of "Nat Hubert John Westlake".[5]

Works

Stained glass

Paintings

  • The vaulted ceiling of St. Joseph, Highgate (considered one of Westlake's finest works)
  • Paintings of St. Charles Borromeo, London
  • The triptych behind the altar at St John the Divine, Richmond, London, completed in 1908. Westlake who also painted the sanctuary ceiling, which illustrates passages from the Book of Revelation, chapter 14.

Books

  • A souvenir of the exhibition of Christian art, held at Mechlin, in September, mdccclxiv, [1864] in a series of sketches, with descriptive letterpress (1866)
  • Via Crucis, the way of the Cross in fourteen stations [plates]. (1876)
  • A History of Design in Painted Glass, Volume 1 (1881)
  • A History of Design in Painted Glass. Four volumes (1891–1894)
  • An elementary history of design in mural painting principally during the Christian era (1901)
  • History of Design in Mural Painting from the Earliest Times to the Twelfth Century: From the second until the twelfth centuries AD In two volumes. (1905) J. Parker, London[10]
  • The dance: historic illustrations of dancing from 3300 B.C. to 1911 A.D., by an antiquary. (1911)

References

  1. Joyce Little, Stained Glass Marks and Monograms (London: National Association of Decorative and Fine Art Societies, 2002), p. 77.
  2. Gordon Campbell (ed.), Grove Encyclopedia of Decorative Arts, vol. 1 (Oxford University Press, 2006), p. 21.
  3. Victoria and Albert Museum Featured Glass Panels: The Vision of Beatrice
  4. 4.0 4.1 Martin Harrison FSA Nathaniel Westlake and the Stained Glass of Mary Datchelor Girl's School. Published by the Clothworkers' Company, The Dorset Press, Dorchester England 2010
  5. Google Books link to one of his books
  6. Nikolaus Pevsner, Isle of Wight, edited by David W. Lloyd (Yale University Press, 2006), p. 53.
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  10. ISBN 9781130808612, 4 March 2012 reprint (Lightning Source UK) and ASIN: B001QW3UIU (1905 edition)

External links