Person Pitch

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Person Pitch
File:Pandabearpersonpitch.jpg
Studio album by Panda Bear
Released March 20, 2007 (2007-03-20)
Genre Experimental pop,[1] psychedelia,[2] avant-garde[3]
Length 45:36
Label Paw Tracks
Producer Panda Bear
Panda Bear chronology
Young Prayer
(2004)Young Prayer2004
Person Pitch
(2007)
Tomboy
(2011)Tomboy2011
Singles from Person Pitch
  1. "I'm Not/Comfy in Nautica"
    Released: September 22, 2005
  2. "Bros"
    Released: September 4, 2006
  3. "Good Girl/Carrots"
    Released: January 23, 2007
  4. "Take Pills"
    Released: June 19, 2007

Person Pitch is the third album released by American recording artist Panda Bear (Noah Lennox), released on March 20, 2007. The album was recorded by Lennox and mixed by Rusty Santos. Largely composed using a pair of Roland SP-303 samplers, Person Pitch was a stylistic leap from Lennox's previous album, the primarily acoustic Young Prayer (2004).

The album was met with universal critical acclaim,[4] and later ranked among the top 10 albums of the 2000s in lists by Tiny Mix Tapes,[5] Pitchfork,[6] and Gorilla vs. Bear.[7] Margaret Reyes of AllMusic noted its influence on a wide range of subsequent indie music.[8]

Background

Five of the seven tracks on the album were released prior to the album, some of them with different mixing and/or lengths. "I'm Not" and "Comfy in Nautica" were released together as a double A-side single in 2005. "Bros" was released as a single on Fat Cat Records in late 2006. "Good Girl / Carrots" was released in early 2007 on a split 12" with the band Excepter via Animal Collective's own label Paw Tracks (on the single, the song is called, simply, "Carrots"). "Search for Delicious" was featured in 2005 on Volume 14 of music magazine Comes With a Smile's CD compilations. Finally, "Take Pills" was released as a 7" single on June 19, 2007. Despite Lennox's initial assertion that Person Pitch would be issued only on CD, it was announced shortly after its release that it would in fact be pressed on vinyl; the double LP was released on June 19.

Person Pitch exhibits a much brighter sound from Lennox's previous album, Young Prayer, wth Lennox himself describing the songs in advance as "super dubby and old sounding, like Motown or Buddy Holly just a little bit."[9] Dusted Magazine attributed to his move to Portugal.Seeing this connection and the change of atmosphere in his music; Lennox says:

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A lot of the songs on Person Pitch are kind of sugary. [...] It's really mellow and sunny here [in Portugal] and I feel like the album really sounds like that to me. Also the stuff that's happened to me in the past two years, like getting married and having a kid and all that, has had a pretty profound impact on the kind of music I play and the kind of subjects I address. My approach to being a musician has drastically changed from having a kid and being a provider. It was kind of terrifying at first, I won't lie to you. It's made me feel like I don't want to fuck up, and I want to make sure I cover all my bases. And that's not to say that I suddenly want to make music that's going to sell a whole lot of copies cause I don't really think I could do that. But I want to make sure that whatever I'm doing, I'm doing it to the fullest extent that I can.[10]

Initially, Lennox wanted to name it Perfect Pitch before settling on Person Pitch – "pitch being sound and person being a person with person pitch being a sound of a person."[11]

Artwork

The artwork for Person Pitch and all of the related singles were done by Agnes Montgomery [2]. Included in the artwork was a long list of artists who Lennox credited with influencing him. About the decision to put this list in the booklet and the making of the artwork, Lennox said:

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Initially I knew I wanted to do something that was really symmetrical. The album is kind of symmetrical in terms of how long the songs are, and I wanted the album art to reflect that. I knew I wanted to do a lot of personal thank yous and I knew I wanted to have the artwork from all the singles on there in a symmetrical fashion. So I needed another text panel, and I also thought that since I was sampling so many different people I thought it was appropriate to give thanks to other musicians. I'd never really done that before, and I also always had trouble when people were like "who are your influences, what do you feel influenced the music on this album." I was always like, "I don't really know." I don't listen to music at home a whole lot and the stuff that I do hear is usually because of the other guys in the band, or the stuff I would hear at Other [Music, a New York City record store where Noah once worked] every day. I don't have a record player or own a whole lot of CDs or anything like that, so it was always kind of a difficult question for me to answer. So this time I was like, I'll really try to think about what I feel led me to make this kind of music and give respect to those people.[10]

The following artists are listed in the liner notes as influences for the album.[12]

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Critical reception

Professional ratings
Aggregate scores
Source Rating
Metacritic 87/100[4]
Review scores
Source Rating
AllMusic 4.5/5 stars[13]
The A.V. Club A–[14]
Drowned in Sound 9/10[15]
Entertainment Weekly A–[16]
The Guardian 4/5 stars[17]
The Observer 5/5 stars[18]
Pitchfork Media 9.4/10[19]
Rolling Stone 3.5/5 stars[20]
Spin 3/5 stars[21]
Tiny Mix Tapes 4.5/5 stars[22]

Person Pitch was met with almost unanimously positive reviews from music critics, receiving an average of score of 87, indicating "universal acclaim", on Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics.[4] Mark Richardson of Pitchfork Media felt that Noah Lennox's use of pop melodies gives Person Pitch "an appeal that extends beyond just Animal Collective fans", drawing comparisons to Brian Wilson and The Beach Boys, but that the incorporation of sampled loops and instruments in the production gives the album's songs an "unusual twist".[19] Leah Greenblatt of Entertainment Weekly also noted influences from the "sunny California sound of the Beach Boys/Mamas and the Papas era" and described the album as a "lovely, trippy kaleidoscope of sound."[16] Drowned in Sound writer Richard MacFarlane complimented Lennox's "masterful" production on the album,[15] while Simon Reynolds, writing in The Observer, felt that Lennox successfully "pulls off the trick of being simultaneously poppy and abstract".[18]

Kevin O'Donnell of Rolling Stone felt that with Person Pitch, Panda Bear "proves he's a first-rate solo artist."[20] Fred Thomas of AllMusic credits Person Pitch as the album where "the wildly different places Lennox would take his experiments truly found a voice of their own", standing as "a perfectly executed statement for Lennox, and in at least some circles of indie rock, a musical revelation."[13]

Pitchfork Media named Person Pitch the top album of 2007[23] and the ninth best of the decade.[6] Person Pitch also garnered praise and recognition from musicians such as Bradford Cox, The Tough Alliance, Diplo, St. Vincent, Black Dice, Christopher Bear of Grizzly Bear, Vampire Weekend, Yeasayer and Dan Snaith of Caribou, all of whom ranked Person Pitch as one of the best albums of 2007 in a Pitchfork year-end survey.[24] Tiny Mix Tapes ranked Person Pitch the best album of 2007[25] and also ranked it eighth on their "Favorite 100 Albums of 2000-2009" list.[5] Critic Simon Reynolds named the album as among the best of the decade.[26] Additionally, the track "Bros" was placed by Pitchfork Media at 48th in their "The Top 500 Tracks of the 2000s."[27]

Track listing

CD

No. Title Sample(s) Length
1. "Comfy in Nautica"  
  • "Jisas Yu Holem Hand Blom Mi" performed by Choir of All Saints
4:04
2. "Take Pills"   5:23
3. "Bros"   12:30
4. "I'm Not"   3:59
5. "Good Girl/Carrots"   12:42
6. "Search for Delicious"  
  • "Berserker" performed by Jane
  • Named after a book by Natalie Babbitt, The Search for Delicious
4:53
7. "Ponytail"     2:05
Total length:
45:36

Vinyl

Side A

1. "Comfy in Nautica" – 4:04
2. "Take Pills" – 5:23

Side B

3. "Bros" – 12:30

Side C

4. "Good Girl/Carrots" – 12:42

Side D

5. "I'm Not" – 3:59
6. "Search for Delicious" – 4:53
7. "Ponytail" – 2:05

Accolades

Album

Publication Accolade Year Rank
Tiny Mix Tapes Favorite Albums of 2007 2007 #1[28]
Pitchfork Media Top 50 Albums of 2007 2007 #1[23]
Tiny Mix Tapes Favorite 100 Albums of 2000-2009 2009 #8[5]
Pitchfork Media The Top 200 Albums of the 2000s 2008 #9[6]
Obscure Sound Best Albums of 2007 2007 #24[29]
About.com Top 20 Albums of 2007 2007 #2[30]
Resident Advisor Top 100 Albums of the '00s 2009 #84[31]
Gorilla vs. Bear 2000–2009 2009 #1[7]
Stylus Magazine Top 50 Albums of 2007 2007 #3[32]

Tracks

"Bros"
Publication Accolade Year Rank
Pitchfork Media Top 100 Tracks of 2007 2007 #3[33]
The Top 500 Tracks of the 2000s 2009 #48[27]
"Comfy in Nautica"
Publication Accolade Year Rank
Rolling Stone 100 Best Songs Of 2007 2007 #74[34]

References

  1. Paper Mag
  2. Rolling Stone
  3. Dot Music
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  8. AllMusic
  9. Interview, The Milk Factory, April 2005
  10. 10.0 10.1 Hatch-Miller, R. "Dusted Feature: Panda Bear," Dusted Magazine.
  11. Interview, Má Fama radio, January 8, 2007
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  26. http://reynoldsretro.blogspot.com/2011/04/panda-bear-tomboy-paw-tracks-directors.html
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External links