Portal:Visual arts

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THE VISUAL ARTS PORTAL

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Visual arts is a class of art forms focusing on the creation of works that are primarily visual in nature, such as painting, drawing, illustration, architecture, photography, graphic design, printmaking, and filmmaking. Works that involve moulding or modeling, such as sculpture, public art, and ceramics, are more narrowly referred to as plastic arts.

The visual arts are distinguished from the performing arts, language arts, culinary arts and other such classes of artwork, but those boundaries are not well defined. Many artistic endeavors combine aspects of visual arts with one or more non-visual art forms, such as music or spoken word.

The current use of the phrase "visual arts" includes fine arts as well as crafts, but this was not always the case. Prior to the Arts and Crafts movement in Britain and elsewhere at the turn of the 20th century, "visual artist" referred to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the handicraft, craft, or applied art disciplines.

The scope of study and appreciation of visual arts spans the globe, and reaches through time back to people drawing on stone walls. All societies have embellished their tools and toys with more visual interest than is functionally necessary.

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Detail of Jonah - Sistine Chapel, Michelangelo
Credit: Primalchaos

Buon fresco, as illustrated by a detail of Michelangelo's decoration of the Sistine Chapel ceiling (1508-1512), is a challenging painting technique involving the application of watered-down pigment to wet plaster. Painters are forced to work quickly to apply the pigment before the plaster dries.

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National Gallery, London
The National Gallery is an art gallery in London, located on the north side of Trafalgar Square. It houses Western European paintings from 1250 to 1900 from the national art collection of Great Britain. The collection of 2,300 paintings belongs to the British public, and entry to the main collection is free, although there are charges for entry to special exhibitions.

Despite having been founded without an existing royal collection on which to build, the National Gallery has grown to be a collection of international renown since its foundation in 1824. It was shaped mainly by its early directors, including Sir Charles Lock Eastlake, and by private donations, which comprise two-thirds of the collection. Although small in comparison with other national art collections such as the Louvre, the National Gallery is notable for covering a broad art-historical scope with paintings of consistently high quality, making it possible to trace every major development in Western painting from the Early Renaissance to the Post-impressionists through its collection. The Gallery's 19th-century origins have, however, resulted in particularly strong holdings of the Italian and Dutch schools, while historically it was slow on the uptake of modern art.

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The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
Marcel Duchamp, The Creative Act (1957)


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John Kane, Self-portrait, c. 1845
Paul Kane (September 3, 1810 – February 20, 1871) was an Irish-Canadian painter, famous for his paintings of First Nations peoples in the Canadian West and other Native Americans in the Oregon Country.

A largely self-educated artist, Kane grew up in Toronto (then known as York) and trained himself by copying European masters on a study trip through Europe. He undertook two voyages through the wild Canadian northwest in 1845 and from 1846 to 1848. The first trip took him from Toronto to Sault Ste. Marie and back. Having secured the support of the Hudson's Bay Company, he set out on a second, much longer voyage from Toronto across the Rocky Mountains to Fort Vancouver and Fort Victoria in the Columbia District, as the Canadians called the Oregon Country.

On both trips Kane sketched and painted Aboriginal peoples and documented their lives. Upon his return to Toronto, he produced more than one hundred oil paintings from these sketches. Kane's work, particularly his field sketches, are still a valuable resource for ethnologists. The oil paintings he completed in his studio are considered a part of the Canadian heritage, although he often embellished them considerably, departing from the accuracy of his field sketches in favour of more dramatic scenes.


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Visual arts on Wikibooks     Visual arts on Wikinews     Visual arts on Wikiquote     Visual arts on Wikisource     Visual arts on Wikimedia Commons
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